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# Title Authors Working Group Venue/Year Presented Paper/poster
1 "A study in Scarlet" – unveiling the mystery of the Portuguese medieval illumination palette Catarina Miguel* Art Technological Source Research Lisbon 2011 Paper
2 "Weeping sculptures": Research into the degradation and conservation of artworks from the series “Stage evidence” by Loris Cecchini. Marta Palmeira* Modern Materials and Contemporary Art Lisbon 2011 Poster
3 ‘EthCon’ – Teaching Ethics in Ethnographic Objects Conservation Cord Brune* Education and Training in Conservation Lisbon 2011 Paper
4 ‘Pack Mentality: The development of Tissue Gel Composite Cleaning at SRAL’ Gwendoline R. Fife* Paintings Lisbon 2011 Paper
5 ‘Purpura’ and proto-changeant: the earliest representations of shot-silk fabrics mark clarke* Art Technological Source Research Lisbon 2011 Paper
6 “El proceso de recuperación de un conjunto de tablas policromadas del s. XV halladas en un contexto arqueológico en Alcózar (Soria). Nuevos retos metodológicos para la conservación” Cristina Gómez González* Wet Organic Archaeological Materials Lisbon 2011 Paper
7 “The nocturnal conspiracy of Claudius Civilis in the Schakerbosh”(1659 and 1662) by Govert Flinck and Jurriaen Ovens: An analysis of its remarkable genesis, painting technique, function and appearance. Froment* Paintings Lisbon 2011 Paper
8 “The role of conservation in the preservation of the authenticity of furniture” Stéphanie Auffret* Wood, Furniture, and Lacquer Lisbon 2011 Paper
9 “Vous êtes une Trinité”. The evolution of the 1950-51 multidisciplinary study and treatment of the Ghent Altarpiece under the gaze of an international commission. Helene Dubois* Theory and History of Conservation Lisbon 2011 Paper
10 18th century lacquer art in Paris : green Japanning panels from a Chinese cabinet in the mansion of Duke of Richelieu Le Ho* Wood, Furniture, and Lacquer Lisbon 2011 Paper
11 3D X-Ray microtomography in the characterisation and study of the mechanisms of formation of calcium soaps Ester S. B. Ferreira* Scientific Research Lisbon 2011 Paper
12 A Case Study of Arsenic Mitigation from Textiles Prior to Exhibit Rebecca Tinkham* Textiles Lisbon 2011 Paper
13 A century of history of paper conservation and of the professional status of the conservatos/restorer Maria da Conceição Lopes Casanova* Theory and History of Conservation Lisbon 2011 Paper
14 A collaborative study of Native California featherwork Ellen Pearlstein* Ethnographic Collections Lisbon 2011 Paper
15 A Color Target for Lighting Evaluation Roy Berns* Scientific Research Lisbon 2011 Paper
16 A Database Tool for Collections Risk Evaluation and Planning Lisa Elkin* Preventive Conservation Lisbon 2011 Paper
17 A long-term study of conservation management and corrosion of shipwrecks in the Fathom Five underwater National Park, Lake Huron, Canada Ian Donald MacLeod* Metals Lisbon 2011 Paper
18 A new methodology or wet conservation treatments of graphic art on paper with a rigid polysaccharide gel of Gellan Gum silvia sotgiu* Graphic Documents Lisbon 2011 Paper
19 A Pandora's box? The Aluminium Boxes of Lourdes Castro and the conservation of contemporary art Sara Babo* Modern Materials and Contemporary Art Lisbon 2011 Paper
20 A preliminary study into the swelling behaviour of artists’ acrylic emulsion paint films. Bronwyn Ormsby* Modern Materials and Contemporary Art Lisbon 2011 Paper
21 A question of scale & terminology, extrapolating from past practices in commercial manufacture to current laboratory experience: the Winsor & Newton 19th Century Artists’ Materials Database Pedro Alexandre Santos Leitão Caetano Alves* Art Technological Source Research Lisbon 2011 Paper
22 A Sino-Japanese-Portuguese Byôbu: its conservation and contextualization Francisca Figueira* Graphic Documents Lisbon 2011 Paper
23 A Study on 16th and 17th Century Lusitanian-Oriental Lacquerware Ulrike Körber* Wood, Furniture, and Lacquer Lisbon 2011 Paper
24 A tool for museum storage reorganization: a cross-cultural initiative Simon Lambert* Preventive Conservation Lisbon 2011 Poster
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