| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
Non-invasive dendrochronology – Pushing the boundaries of the technique
Aoife Daly*, Bettina Ebert
|
Wood, Furniture, and Lacquer |
2021 Beijing |
Paper |
| 2 |
Stuck like glue: Wood tar as a medieval stone adhesive
Bettina Ebert*, Torbjørg Bjelland
|
Murals, Stone, and Rock Art |
2023 Valencia |
Paper |
| 3 |
Composite wainscot block construction in medieval sculptures: A question of quality?
Bettina Ebert*
|
Sculpture, Polychromy, and Architectural Decoration |
2017 Copenhagen |
Paper |
| 4 |
Analysis and Conservation Treatment of Vietnamese Paintings
Bettina Ebert*
|
Paintings |
2011 Lisbon |
Paper |
| 5 |
Artist’s oil paints in Thailand
Nicole Tse*, Klangpol Kamolchote, Ljiljana Puskar, Sarinya Panmanee, Stephen Best, Supanee Chayabutra, Thanawoot Khlungwisarn
|
Paintings |
2014 Melbourne |
Paper |
| 6 |
YCP–Mitigating Magnesium Corrosion: Testing the Efficacy of Reapplying Conversion Coatings in Conservation Treatment
Abigail Rodriguez*
|
Metal |
2022 Helsinki |
Paper |
| 7 |
Thinking of the big picture: A practical solution for matt paint consolidation of large-scale Southeast Asian banner paintings at the Walters Art Museum
Karen French*, Gillian Quinn
|
Paintings |
2023 Valencia |
Paper |
| 8 |
Non-destructive dendrochronology: Analysis of the influence of conservation agents in the wood structure with laboratory-based and synchrotron X-ray micro-computed tomography
Ingrid Stelzner*, Damian Gwerder, Elias Hamann, Jörg Stelzner, Jorge Martinez-Garcia, Marcus Zuber, Philipp Schuetz, Sebastian Million
|
Wet Organic Archaeological Materials |
2023 Valencia |
Paper |
| 9 |
An integrated conservation approach to a historic collection: The controversial varnishing of Munch's paintings
Thierry Ford*
|
Theory, History, and Ethics of Conservation |
2021 Beijing |
Paper |