| # |
Title |
Working Group |
Year/Venue |
Paper/poster |
| 1 |
"A study in Scarlet" – unveiling the mystery of the Portuguese medieval illumination palette
Catarina Miguel*
|
Art Technological Source Research |
2011 Lisbon |
Paper |
| 2 |
"Weeping sculptures": Research into the degradation and conservation of artworks from the series “Stage evidence” by Loris Cecchini.
Marta Palmeira*
|
Modern Materials and Contemporary Art |
2011 Lisbon |
Poster |
| 3 |
‘EthCon’ – Teaching Ethics in Ethnographic Objects Conservation
Cord Brune*
|
Education and Training in Conservation |
2011 Lisbon |
Paper |
| 4 |
‘Pack Mentality: The development of Tissue Gel Composite Cleaning at SRAL’
Gwendoline R. Fife*
|
Paintings |
2011 Lisbon |
Paper |
| 5 |
‘Purpura’ and proto-changeant: the earliest representations of shot-silk fabrics
mark clarke*
|
Art Technological Source Research |
2011 Lisbon |
Paper |
| 6 |
“El proceso de recuperación de un conjunto de tablas policromadas del s. XV halladas en un contexto arqueológico en Alcózar (Soria). Nuevos retos metodológicos para la conservación”
Cristina Gómez González*
|
Wet Organic Archaeological Materials |
2011 Lisbon |
Paper |
| 7 |
“The nocturnal conspiracy of Claudius Civilis in the Schakerbosh”(1659 and 1662) by Govert Flinck and Jurriaen Ovens: An analysis of its remarkable genesis, painting technique, function and appearance.
Froment*
|
Paintings |
2011 Lisbon |
Paper |
| 8 |
“The role of conservation in the preservation of the authenticity of furniture”
Stéphanie Auffret*
|
Wood, Furniture, and Lacquer |
2011 Lisbon |
Paper |
| 9 |
“Vous êtes une Trinité”. The evolution of the 1950-51 multidisciplinary study and treatment of the Ghent Altarpiece under the gaze of an international commission.
Helene Dubois*
|
Theory and History of Conservation |
2011 Lisbon |
Paper |
| 10 |
18th century lacquer art in Paris : green Japanning panels from a Chinese cabinet in the mansion of Duke of Richelieu
Le Ho*
|
Wood, Furniture, and Lacquer |
2011 Lisbon |
Paper |
| 11 |
3D X-Ray microtomography in the characterisation and study of the mechanisms of formation of calcium soaps
Ester S. B. Ferreira*
|
Scientific Research |
2011 Lisbon |
Paper |
| 12 |
A Case Study of Arsenic Mitigation from Textiles Prior to Exhibit
Rebecca Tinkham*
|
Textiles |
2011 Lisbon |
Paper |
| 13 |
A century of history of paper conservation and of the professional status of the conservatos/restorer
Maria da Conceição Lopes Casanova*
|
Theory and History of Conservation |
2011 Lisbon |
Paper |
| 14 |
A collaborative study of Native California featherwork
Ellen Pearlstein*
|
Ethnographic Collections |
2011 Lisbon |
Paper |
| 15 |
A Color Target for Lighting Evaluation
Roy Berns*
|
Scientific Research |
2011 Lisbon |
Paper |
| 16 |
A Database Tool for Collections Risk Evaluation and Planning
Lisa Elkin*
|
Preventive Conservation |
2011 Lisbon |
Paper |
| 17 |
A long-term study of conservation management and corrosion of shipwrecks in the Fathom Five underwater National Park, Lake Huron, Canada
Ian Donald MacLeod*
|
Metals |
2011 Lisbon |
Paper |
| 18 |
A new methodology or wet conservation treatments of graphic art on paper with a rigid polysaccharide gel of Gellan Gum
silvia sotgiu*
|
Graphic Documents |
2011 Lisbon |
Paper |
| 19 |
A Pandora's box? The Aluminium Boxes of Lourdes Castro and the conservation of contemporary art
Sara Babo*
|
Modern Materials and Contemporary Art |
2011 Lisbon |
Paper |
| 20 |
A preliminary study into the swelling behaviour of artists’ acrylic emulsion paint films.
Bronwyn Ormsby*
|
Modern Materials and Contemporary Art |
2011 Lisbon |
Paper |
| 21 |
A question of scale & terminology, extrapolating from past practices in commercial manufacture to current laboratory experience: the Winsor & Newton 19th Century Artists’ Materials Database
Pedro Alexandre Santos Leitão Caetano Alves*
|
Art Technological Source Research |
2011 Lisbon |
Paper |
| 22 |
A Sino-Japanese-Portuguese Byôbu: its conservation and contextualization
Francisca Figueira*
|
Graphic Documents |
2011 Lisbon |
Paper |
| 23 |
A Study on 16th and 17th Century Lusitanian-Oriental Lacquerware
Ulrike Körber*
|
Wood, Furniture, and Lacquer |
2011 Lisbon |
Paper |
| 24 |
A tool for museum storage reorganization: a cross-cultural initiative
Simon Lambert*
|
Preventive Conservation |
2011 Lisbon |
Poster |